Showing posts with label african influence. Show all posts
Showing posts with label african influence. Show all posts

Wednesday, May 19, 2010

“Grass Roots: African Origins of an American Art” at National Museum of African Art


“Grass Roots: African Origins of an American Art,” a traveling exhibition that tells the story of the beautiful coiled basket, will be on view at the Smithsonian’s National Museum of African Art from June 23 through Nov. 28. “Grass Roots” demonstrates the enduring contribution of African people and culture to American life in the southeastern United States.

The exhibit features about 200 objects, including baskets made in Africa and the American South, African sculptures, paintings from the Charleston Renaissance, historic photography and videos. It traces the history of the coiled basket on two continents and shows how a simple farm tool once used for processing rice has become a work of art and an important symbol of African American identity.

“Visitors will be stopped in their tracks by the exceptional beauty and artistry evident in baskets from Africa and the American South,” said Johnnetta Betsch Cole, director of the museum.

“In addition, they will learn about the important and enduring connections between Africa and the African diaspora, and how the cultivation of rice and the horrors of enslavement played a role in transmitting the knowledge of particular basket-making traditions from the African continent to the American South. Finally, it is my fervent hope that visitors will come away from this exhibition with a deeper awareness of Africa’s global reach and with a genuine appreciation of the cultural contributions of Africans and people of African descent.”

“Grass Roots” traces the parallel histories of coiled basketry in Africa and the United States, starting from the domestication of rice in West Africa, through the transatlantic slave trade, to the migration of African rice culture to America. The exhibition, which addresses the history of the Carolina rice plantations and highlights technological innovations brought to American agriculture by people from Africa, tells the compelling story of the survival of African-American basketry over 300 years. While the need for agricultural forms has declined, coiled baskets continue to be made as objects of beauty. The exhibition focuses on the coastal town of Mt. Pleasant, S.C., across the Cooper River from Charleston, where basket makers have taken control of their craft as independent entrepreneurs.

On both sides of the Atlantic, the art of basketry continues to be passed down from generation to generation. In South Carolina and Georgia, as in many parts of Africa, virtuoso basket makers invent forms, experiment with new materials and perfect the techniques they have learned from their parents and grandparents. The exhibition features baskets made by contemporary American and African basket makers as well as historic examples, some dating to the early 19th century from Low Country rice plantations and African villages.

“Grass Roots” includes five short films that feature basket makers demonstrating their techniques and telling their stories. Botanists describe experiments in the cultivation of sweet grass and archival footage shows rice processing and basket making in Africa.

Saturday, March 20, 2010

African Art Continues to Inspire Western Artists... in Finland!

Helsinki, Finland’s Espoo Museum of Modern Art (EMMA) stages its spring exhibition “The Power of Africa: Three Perspectives” from February 24th through June 6th 2010.

The three perspectives of the title has a double meaning. It refers to the three artforms featured in the exhibition, namely sculpture, painting and mask-making, and also to the three thematic approaches taken.




The first theme is an exploration of how African art influenced early twentieth-century European Modernism. It looks at how the industrialization of Europe was seen as a decline in Western culture, and how this spurred artists to seek new beginnings beyond the confines of their home surroundings, with many venturing as far afield as Africa. From German expressionism to Russian Futurism, from Pablo Picasso to Akseli Gallen-Kal-
lela, the geometric, minimalist repertoire of African art seems to have inspired artists and genres across Europe.

The second theme presents African works as part of a coherent artistic culture, and challenges the myth of superiority in European art and rationalism. It explores the ritual elements of African art, and relates this to the church frescoes of Europe. The individuality and nuances of African art are prominently featured.

The third approach looks directly at the relationship between Finnish contemporary art and Africa. Stefan Bremer, Alvar Gullichsen and Teemu Mäki are among the many artists who have visited Villa Karo, the Finnish cultural institute in Benin, and who have drawn on African art in their work.



The large array of works on display, and the broadness of the thematic focus, make The Power of Africa: Three Perspectives well worth the visit.

For more information, visit EMMA's page on the exhibit.



Source: The Helsinki Times

Friday, January 8, 2010

African Art Inspires All

African art has influenced artists across the globe and there is no better way to see these similarities than at The Elijah Pierce Gallery at Columbus, Ohio’s The King Arts Complex. From Tuesday, January 12th through the end of the month, the gallery will be featuring “African Art Influence: Global Impacts & Similarities.”

Sponsored by The Wohlgemuth Herschede Foundation, the exhibition will display artwork from a myriad of diverse countries from around the world. The concept is to show the cross-cultural influences in decorative style from African art in the creations of pieces from Asia to Latin America.

According to the gallery’s description of the exhibit: “The art… gives the viewer a glimpse into similar comparisons found in technique and design using motifs and pattern ideas… There are similarities in texture and style and thus, is a celebration of our interconnectedness and an acknowledgement of how much alike we all truly are!”

Jacaranda Tribal loves the notion! For more information, call 614-645-5464 or visit www.thekingartscomplex.com.