Showing posts with label tsonga. Show all posts
Showing posts with label tsonga. Show all posts

Monday, May 28, 2012

Vessels and Containers at Jacaranda Tribal

A new online exhibition at Jacaranda Tribal presents a showcase of exquisite African vessels and containers.  Highlighting the diversity of form and myriad aesthetics brought to these utilitarian objects by a wide variety of traditional cultures from across the continent, Jacaranda's newest assemblage features refined lidded vessels from the Lozi of Zambia and the Hima of Rwanda; a graceful and elegant South African snuff container carved from a single piece of horn; a remarkable North African powder flask; and much more.  The images below present a selection of the exhibition's highlights.  Visit the Jacaranda Tribal website for detailed information on these items and many more.

Lidded bowl  -  Lozi, Zambia  -  First half of 20th century
Milk vessel  -  Hima, Rwanda  -  First half of 20th century
Meat bowl  -  Nyoro, Uganda  -  19th century
Lidded vessel  -  Shi, D.R. Congo  -  First half of 20th century
Lidded basket  -  Sotho, Lesotho  -  First half of 20th century
Wooden vessel  -  Tsonga or Matabele, Zimbabwe  -  Late 19th or early 20th century
Snuff container  -  South Africa  -  19th century
Powder flask  -  Morocco or Tunisia  -  19th or early 20th century



Saturday, February 18, 2012

The Art of Daily Life Enters its Final Week

Regarded as the finest showcase of Southern African art in recent years, The Art of Daily Life will enter its final week at the Cleveland Museum of Art on February 19. Through some seventy-five works from American private collections and the Smithsonian Institution’s National Museum of African Art, the exhibition resplendently celebrates the stunning formal diversity and cultural significance of Southern Africa’s artistic heritage. Despite having enjoyed a degree of growing interest and appreciation over the past three decades, the art of indigenous Southern African societies has long been largely neglected. The Art of Daily Life puts the works of these traditions––which so subtly bridge the planes of the mundane and sacred––under a spotlight to receive the recognition they so unreservedly deserve. 

Visit the official website here.

Staff attributed to the "Baboon Master"   Tsonga, South Africa   19th–20th century



 
Prestige vessel   Nguni, South Africa   19th–20th century
Woman's beaded apron   Nguni, South Africa   19th–20th century

Pipe with anthropomorphic bowl   Sotho or Nguni, Lesotho or South Africa   19th–20th century
Headrest    Shona or Tsonga, Mozambique, South Africa or Zimbabwe   19th–20th century

Images courtesy of the Cleveland Museum of Art

Friday, February 10, 2012

Tsonga Neckrest - South Africa




The above images depict a rare Tsonga neckrest with carrying handle in the form of a dance staff, the handle of which terminates in an elegant disk-shaped finial often found on North Nguni staffs. The gently curving handle is perfectly carved to allow the end of the handle to rest on the floor surface. South African neckrests with carrying handles are particularly rare.

Carved on the surface of the horizontal support are five parallel rows of fine dots carved in relief. These dots would have formed indentations in the face of the male sleeper, reminiscent of the scarification patterns on North Nguni women. These temporary facial patterns were said to be the source of much amusement.

JacarandaTribal.com

Thursday, February 14, 2008

2008 San Francisco Tribal and Textile Arts Show



On Monday I returned to New York after a four day trip to San Francisco. The purpose of the trip was to attend the 2008 Tribal and Textile Arts Show.

The Gala Preview opening night of the show was well attended. Before the show, there was a certain amount of trepidation among the 108 dealers in attendance about the economy and the potential impact on the show. The fears generally turned out to be unfounded and most dealers reported doing respectable to good business.

As far as southeast African art, there was a fair amount of material to be seen. Patrick and Ondine Mestdagh had a number of good pieces including a large Swazi shield (pictured above) and a rhino horn club ex Bonhams (both sold). Tribal Gathering had a number of fine east African objects. Ben Hunter of Tribal Hunter had some Tsonga neckrests and Jean-Baptiste Bacquart of London had a fine old Shona/Tsonga neckrest. Clive Loveless (pictured top), as usual, had one of the most aesthetically pleasing booths with some very fine material from Rwanda and Uganda.


I also attended an event at the de Young Museum for dealers and lenders of Tribal art. John Friede gave a few remarks and then led an trip upstairs to discuss some of his pieces in the permanent collection. The museum is always a treat - lots of new pieces were on display including a great Lulua figure and a powerful and exceptionally rare Nukuoro figure loaned by Ed and Mina Smith.

All in all, it was a great trip and I look forward to returning next year.

Daniel
JacarandaTribal.com

Wednesday, November 14, 2007

Sotheby's African & Oceanic Auction - Paris December 5, 2007





On December 5, 2007 Sotheby's Paris has two auctions -
1) A single owner sale of 15 lots from Brian & Diane Leyden's great Bete & Senufo collection and
2) A sale of 158 lots from various owners.

I imagine the Leyden's are using the strong market for top material to lighten up on a few items and allow them to diversify their collection. The pieces are first rate and should do well.

Highlights of the single owner sale include a Benin plaque (est 150,000 - 250,000 EUR), a Cameroon Fon figure (est 250,000 - 350,000 EUR and pictured above , a Kwele mask (220,000 - 280,000 EUR) and a stunning squatting Bembe figure at 70,000 - 100,000 EUR (pictured above)

The sale features a handful of lots from South and East Africa (lots 95 - 104). Lot 99 comprises 12 Zulu spoons and was acquired in a small auction in South Africa 2 months ago. Lot 100 comprises 2 pipes and 2 snuffs including an interesting zoomorphic pipe. Lot 101 is a maternity figure, slightly stubby and not quite as elegant as the finest Baboon Master staffs, but authentic nevertheless and this is reflected in the estimate of 6,000-9,000 EUR. Lots 103 and 104 (illustrated above) are quite unusual Lozi walking sticks, probably made for resale, but attractive and nicely carved (est. 3,000-5,000 EUR and 4,000 - 6,000 EUR respectively).