Showing posts with label Central Asian art. Show all posts
Showing posts with label Central Asian art. Show all posts

Friday, July 26, 2013

Arts de l'antiquité, uen collection centenaire

Arts de l'antiquité, uen collection centenaire (Arts of Antiquity, a Centenary Collection), on view until October 6 at the Musée Barbier-Mueller in Geneva, reflects the passion of three generations of collectors of ancient art. Begun by Josef Mueller in the early twentieth century, the collection of antiquities at the Barbier-Mueller Museum was enriched by the acquisitions of his son-in-law Jean Paul Barbier-Mueller and of his grandsons. The pieces on display, chosen for their aesthetic quality, are ambassadors of civilization as varied as the Cyclades, Predynastic and Pharaonic Egypt, Greece, and Rome. They are landmarks in this representative tour of the artistic production of the ancient world. The panorama offered to visitors illustrates the major tendencies, the extraordinary diversity, and the vitality of the art of antiquity, from the sixth millennium BC to the third century AD.




Female figure  -  Cyclades  -  circa 2900 BC

Female figure ("Bactrian Princess")   -  Oxus civilization  -  End of 3rd millennium BC

Vase with scorpion-men  -  Southeast Iran  -  2600–2200 BC

Information and images courtesy of the Musée Barbier-Mueller de Genève


Sunday, February 10, 2013

Jewelry from the Roof of the World

On now at the Fondation Baur in Geneva is Jewelry from the Roof of the World, an exhibition devoted to ornaments from Mongolia, Tibet, Nepal, Northern India, Afghanistan, Pakistan, and Central Asia. Sourced entirely from the collection of Colette and Jean-Pierre Ghysels, these astonishing works reveal peoples, civilisations, and cultures whose memory is gradually fading. They convey also the passion and perseverance which took the Ghysels to every continent of the planet in their search for exquisite jewelry, always guided by two basic criteria: quality and beauty. Seduced by the richness of the ancestral traditions of Asia, they have unceasingly assembled these witnesses of vanishing worlds.









Information and images courtesy of the Fondation Baur