Tuesday, February 23, 2010

Zemanek-Münster Tribal Arts Auction Preview: Lot 258


Reliquary Guardian Figure. Fang-Beti, Mabea, Southern Cameroon.

Wood, matt reddish brown patina, traces of black paint, seated posture, the stylized hands touch each other, mirror glass eyes with metal framing, metal foils on the shoulders and in the area of the abdomen, as well as on the face (scarifications), slightly dam., cracks (head, upper part of the body), missing parts (both foot tips), on base; on the buttocks, we can identify the remainder of sawn wood, indicating that the figure was part of a "byeri" ensemble. Originally, she sat as a guardian on a high, drum-shaped bark container, or on a basket, which contained relics of the founder of a clan, but frequently also skulls and bones of other men and women, who had distinguished themselves in the clan community. All "byeri" ancestor figures originally were decorated with a headdress of feathers "aseng", which is proved by the drilled holes in the coiffure of present figure. Possibly the valuable feathers were kept, when selling the figure. Only special initiated men were allowed to view the contents of these containers, which were brought outdoors on specific occasions to receive offerings. The extraordinary outlines of these figures were clearly visible in the twilight of the shacks, where they were kept. Moreover, the shine of the bright mirror glass eyes, as well as the reflections of the brass foils created a threatening impression. To obtain the metal foils, the Fang used european brass plates, called "Neptuns". There are various proposals concerning the meaning of the reliquary figures, they are considered as memorial figures, portraits of the deceased, sometimes they are connected with a kind of reincarnation cult. The Fang only migrated about 300 years ago to their present settlements, either expelling or assimilating the local residents. The term Fang implies a population consisting of numerous subgroups, living in the south-western Cameroon, Equatorial Guinea and in the north-western Gabon. A clear assignment of their works of art is quite difficult. When regarding head and neck, the present figure could be attributed to the Mabea. While the fitting with metal sheet in the shoulder area, as well as the mirror glass eyes with metal framing and the geometrical-cubistic conception of the fgure as a whole refers to the Ngumba, Southern Cameroon.
Height: 49 cm, 19th century.
Estimate: 80,000 - 150,000 €

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