Robert Shapazian dies at 67; founding director of Gagosian Gallery in Beverly Hills

Robert Shapazian, who ran the Gagosian Gallery for a decade, is seen on a trip to Mali. Since traveling the world alone at 20, he continued to globe-trot and liked to visit African tribes.

Robert Shapazian, a scholarly art dealer who started importing art at age 13 and went on to become the founding director of the Gagosian Gallery in Beverly Hills, has died. He was 67.

Shapazian died of lung cancer Saturday at his Los Angeles home, said Robert Dean, a friend.

"Robert just kind of sailed under the radar a bit," said Dean, who also was a colleague at the Gagosian. "He's more like a poet's poet, if the poets were collectors. He both influenced and inspired a lot of people."

When leading contemporary art dealer Larry Gagosian hired him in 1995 to oversee the launch of a West Coast outpost, he praised Shapazian's knowledge of photography, 1990s art, and artists Andy Warhol and Marcel Duchamp, The Times reported at the time.

Under Shapazian's direction, Gagosian shows were "always provocative," adding "a 'big time' dimension to the local scene," online magazine Artnet said in 2004. The magazine gave as an example the gallery's survey of black-and-white Warhol paintings derived from advertising.

Shapazian ran the blue-chip venue for a decade, advising collectors to do as he did: Don't invest for monetary gain but follow "ideas and feeling," he said in a 2008 interview.

Business tycoon Eli Broad was one of Shapazian's primary clients, Dean said.

From 1986 until its closing in 1994, Shapazian was director of the Venice-based Lapis Press, founded by artist Sam Francis to publish fanciful, limited-edition artists' books.

Many titles were experimental, resulting in "books with an unusual degree of presence," Shapazian told The Times in 1993.

The texts were often obscure, evocatively illustrated and of the highest quality while aiming to amuse.

An example of Shapazian's playfulness was evident in philosopher Jean-Francois Lyotard's study of Duchamp. The Lapis release was covered in green velour, the same material Duchamp used for his 1934 work "The Green Box."

Robert Michael Shapazian was born in 1942 in Fresno to Ara and Margaret Shapazian.

Since he liked art, he started buying antique objects from Thailand when he was 13. He sold some of them to galleries and museums while starting his own collection, which grew to include Asian art, 18th century French furniture and illustrated Russian books.

After earning a bachelor's degree at UC Berkeley in 1964, Shapazian studied English literature at Harvard University, earning a master's in 1965 and a doctorate in 1970. He wrote his doctoral dissertation on pastoral poetry and painting in the Renaissance.

He had worked in his family's agricultural business in Fresno and built a collection of experimental photography that critics considered extraordinary.

In recent years, Shapazian taught writing and art to at-risk youths, friends said.

Since traveling the world alone at 20, he continued to globe-trot and liked to visit "very traditional tribes in distant places in Africa," he once said.

His contribution to the arts and literature had been recognized by the French government, which named him a Chevalier of the Order of Arts and Letters.

Shapazian is survived by a sister.

South African Art Icon, Robert Hodgins dead at 89

Robert Hodgins, who passed away on March 15 at the age of 89, described himself as "an optimistic old sod", and said the process of creating art was an "auto-intoxication that allows one to live through marriages, divorces, deaths and unhappy love affairs, and come up smiling all the time".

Hodgins was born in London in 1920. The son of a single working mother, he was put into a children's home, where on weekends he would be farmed out to "God-awful", religious foster parents. Living in Depression-era London, he often went to art museums "because they were free, warm and dry", and described seeing the work of Van Gogh , and other artists, as "fragmentary, small happenings of extraordinariness in the grey block of my life".

He moved to South Africa in 1938 at the age of 18. After serving in Kenya during World War II, he returned to London where he studied fine art at the now prestigious Goldsmiths College.

After graduating, he returned to South Africa, where he taught and and wrote art criticism for a magazine called Newscheck. Despite resigning "oh, about twelve times", it was only in 1983, at the age of 63, that he retired and became a "full-time" artist.

In 1980 and 1981, Hodgins worked on a series of paintings based on the play Ubu Roi by Alfred Jarry. The menacing, selfish and vain character of Ubu would echo throughout his career in many of his best-known works, either as himself, or in works that depicted imposing, threatening characters in business suits. Hodgins stated in his “interview with himself” in the biographical retrospective Robert Hodgins (Tafelburg) that "When I finally got around to reading Ubu Roi, and there were Goering, Nero, Idi Amin -- the evil clown, the laughable monster. It released a flood of images, the colours, shapes, distortions of which fitted me."

His "late start" meant that, despite his advancing years, Hodgins considered himself to be "young as an artist". He continued to experiment with subject, medium and technique, and challenged himself to find new ways to depict reality through metaphor and abstraction, when many artists of similar age had settled into a style of that brought critical (and financial) reward. As a result, his art remained relevant, and exhibitions always offered something new, rather than falling into predictable retrospectives that become so common when artists reach a certain point in their artistic life.

An icon of the recent history of South African art, Hodgins had taken part in a number of important solo and group exhibitions, notably collaborating with William Kentridge and Deborah Bell in Hogarth in Johannesburg (1987) and The Little Morals Series (1991).

He was well known for his humour and enthusiastic approach to art-making. Art Print SA quotes him as saying "Before you know where you are, you're already thinking about the next work, and you could live to be 300. Paintings can be one-night stands or lifetime love-affairs -- you never know until you get cracking".

Source: Mail & Guardian Online

By: Lisa Van Wyk