For an in-depth look at the exhibition, visit the Fondation Pierre Arnaud website.
Wednesday, September 23, 2015
Homme Blanc/Homme Noir. Impressions d'Afrique
Fascination, repulsion, desire, and even mockery have long characterized the ways in which Africans and Westerners have perceived one another. The second exhibition devoted to African art at the Pierre Arnaud Foundation, Homme Blanc/Homme Noir, Impressions d’Afrique (White Man/Black Man, Impressions of Africa), on view until October 25, 2015, examines several centuries of exchange and misunderstanding through a selection of works created between the seventeenth and twentieth centuries by both African and European artists. The visions of Westerners such as Géricault, Vallotton, and even Man Ray are juxtaposed with those of anonymous Igbo, Baule, or Kongo sculptors. The works displayed are from public collections (the Musée du Louvre and the Musée Royal d’Afrique Central in Tervuren), as well as from private ones, most notably that of Alain Weill.